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梦幻飞船 英语版
语言：俄语
主演： 克谢尼娅·拉波波尔特波丽娜·加加尼娜安德烈·伯科夫斯基列昂尼德·亚尔莫利尼克费奥·杜布朗拉沃夫谢尔盖·加尔马什安娜·乌克洛娃叶卡捷琳娜·艾吉娃克谢尼亚·特雷斯特AnastasiyaSaklakovaAntonBiryukov塔蒂安娜·维德里娜亚历山大·梅乔金VitaliLaptevVadimSalakhovOlegDernovNatashaVasilyeva
简介：The Tsar is having his daughter Zabava marry a charmingly handsome and a handsomely charming Paul, a rich heir and a foreign fancy pants. However, it's a bit of a challenge, since Zabava wants a marriage of love, not of calculation. Her unexpected encounter with sailor Ivan, a simpleton yet an honest and endearing guy, messes up Paul's plans of snatching the crown. Deeply in lo......
塔米·菲的眼睛
导演： 迈克尔·肖沃特
语言：英语
主演： 杰西卡·查斯坦安德鲁·加菲尔德切莉·琼斯文森特·多诺费奥马克·怀斯特拉克山姆·贾格路易斯·坎瑟米加布里埃尔·奥尔德斯弗瑞德里克·林恩钱德勒·海德杰伊·胡古雷GrantOwens柯莉·坎帕尼杰丝·威克斯勒林赛·艾利夫兰德尔·P·海文斯JoeAndo-HirshDrewBroderick布伦特·莫雷尔·加斯金斯TanyaJacobsonDonaldNorrisJr.DanJohnsonMichaelMacCauley
简介：该作品改编自2000年同名纪录片，讲述塔米·菲（杰西卡·查斯坦 饰）和吉姆·贝克（安德鲁·加菲尔德 饰）这对夫妇作为电视福音布道家的大起大落。在上世纪70-80年代，塔米·菲和吉姆·贝克从贫寒中奋起，创建了当时世界上最庞大的宗教广播电视网和一个主题公园，他们传递的爱、接纳和繁荣的主题受到人们的尊敬。塔米 · 菲以她夸张的睫毛，独特的歌声、以及她热情拥抱各行各业的人们而成为传奇。不过好景不长，经济上的不当行为、诡计多端的竞争对手以及性丑闻的爆发使得这对夫妇的婚姻破裂，导致他们精心构建起来的帝国开始崩塌。...
镜子的另一面：纽波特民歌艺术节1963~1965
语言：英语
主演： BobDylanJoanBaezJudyCollins
简介："Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s....