搜索结果：Grounds （共 125 条结果）
埃里克 拉鲁
导演： 迈克尔·珊农
语言：英语
主演： 亚历山大·斯卡斯加德朱迪·格雷尔艾丽森·皮尔安妮·帕里西保罗·斯帕克斯崔西·莱茨凯特·阿灵顿
简介：Michael Shannon directs an adaptation of Brett Neveu’s 2002 play about a mother coping with the fallout after her son murders three of his high school classmates. Janice (Judy Greer) is struggling; she moves through life as if in a haze, unable to let go of her anger and frustration. While her husband (Alexander Skarsgård) has found refuge at a new church, Janice finds it hard ... </span> <a href="javascript:void(0)" class="j a_show_full">(展开全部)</a> </span> <span class="all hidden"> Michael Shannon directs an adaptation of Brett Neveu’s 2002 play about a mother coping with the fallout after her son murders three of his high school classmates. Janice (Judy Greer) is struggling; she moves through life as if in a haze, unable to let go of her anger and frustration. While her husband (Alexander Skarsgård) has found refuge at a new church, Janice finds it hard to seek solace in her faith despite her pastor’s pleas to heal her wounds by meeting with the mothers of her son’s victims. As Janice ponders what that meeting could achieve for her and her community, Eric LaRue asks audiences to witness the frayed emotional ripples that violent acts can engender....
替代者
导演： Óscar
语言：西班牙语
主演： 里卡多·戈麦兹佩雷·庞塞佩普·科特斯薇姬·卢恩戈华金·克莱门特弗兰克·费斯
简介：1982年，一位在马德里最贫穷的街区长大的年轻警察来到一个海滨城镇工作，希望能在这里治好女儿的病，同时获得平静和安宁。然而，一到那里，他就发现前任警官的谋杀案案情仍存在疑点，并被卷入案件的调查中。调查将他引向一家海滩酒店，一众因反人类罪行而被几个国家通缉的前纳粹军官在那里过着宁静的天堂般的生活。 1982. A young cop who grew up around Madrid's toughest neighborhood takes an assignment in a coastal town in the hope of not only curing his daughter's illness but also finding some peace and quiet. However, once there, he finds himself embroiled in the enquiry into the strange circumstances of his predecessor's murder. The investigation will lead him to a beach hotel where a community of former Nazi officers - claimed by several countries for crimes against humanity - lives a peaceful and paradisiacal life....
彩虹照耀
导演： 维克·萨林
语言：英语
简介：<p>Tomas, a frail, shy eight-year-old boy, has been living a solitary life in a drab orphanage sad, friendless and alone. Then a joyous burst of colour comes into his world: Maire O'Donnell, whose smile and spirit light up the darkest room and Tomas's heart. Before he knows it, Tomas is on a boat, sailing to wind-swept Corrie Island off the coast of Ireland, where he meets Alec, her reticent husband who cannot hide his disappointment with the boy.Undiscouraged, Maire introduces Tomas the wonders of his new world. She shares with him the secret of the seals, the mystery of the stone giant and shows him that you can find magic anywhere- if you really look. In this rugged and enchanting world, Tomas thrives. He befriends a pair of island children and rescues an orphan seal pup who join him on his journey of self-discovery. Slowly, Alec too begins to see in Tomas what Maire always has.But when tragedy strikes, Tomas is faced with his greatest challenge yet, for he will lose everything unless he can find and share the magic that's inside him. Risking all, Tomas embarks on a perilous journey where he will need to call on all of Maire's gifts to triumph and come home.A Shine of Rainbows is a story about the transformational power of love- about finding acceptance, discovering magic, and about realizing that rainbows are all around you and within you, too.</p>...
镜子的另一面：纽波特民歌艺术节1963~1965
语言：英语
主演： BobDylanJoanBaezJudyCollins
简介："Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s....