搜索结果：Havea （共 227 条结果）
来自深河的男人
语言：意大利语 / Bur
主演： IvanRassimovMeMeLaiPratitsakSinghara
简介：A photographer accidentally kills a man in self-defense and while retreating into the jungles of an Asian country, is captured by a native tribe who hold him captive, force him into slave labor, and eventually accept him when he marries the chief's daughter. Throughout the whole film, I never felt this was a horror film. It was more reminiscent of a drama, like A MAN CALLED HOR... </span> <a href="javascript:void(0)" class="j a_show_full">(展开全部)</a> </span> <span class="all hidden"> A photographer accidentally kills a man in self-defense and while retreating into the jungles of an Asian country, is captured by a native tribe who hold him captive, force him into slave labor, and eventually accept him when he marries the chief's daughter. Throughout the whole film, I never felt this was a horror film. It was more reminiscent of a drama, like A MAN CALLED HORSE, which I liked better. Ivan Rassimov is pretty good as the photographer, but it is Me Me Lai as the chief's daughter who is memorable and great. I have always been a Me Me Lai fan ever since her breathtaking performance in JUNGLE HOLOCAUST and she is never given credit for her acting chops because she hardly speaks in her films. She is still very talented and charming. Lots of real animal mutilation is the one thing about DEEP RIVER that could make it a horror film, but even that doesn't execute well....
红苹果
语言：英语
主演： 米尔卡·迪亚科努IonCojarCarmenGalinErnestMafteiMiticaPopescu
简介：<p>The main character, a young surgeon (avid consumer of red apples), excellent professional, inflexible with respect for moral norms, are in a constant struggle with indifference and ignorance of his fellow men, with their littleness of soul, the director of the hospital obtuseness and careerism.Red Apples exactly expresses the conflict between talent, professional dedication, respect the Hippocratic Oath, the protagonist came face to face with mediocrity, sufficiency and careerism of brothers who, at any cost, want to move into professional and social ladder. Rise young doctor Mitica Herod assigned to a provincial hospital, the doctor makes Mitroi prototype capped professional character, to see jeopardized the director of the hospital. Mitica (enthusiastic, charismatic and convincing in the role of actor Mircea Diaconu) makes no compromises in relation to his superior, which always reminds him of his mission, the function they represent. Ignore the so-called "social conveniences" and not compromising in addressing hospital and patients. Well-meaning and lucid, ready for personal sacrifices, he believes that the world has only one real enemy: death, which, unfortunately, it always fails defeat."I was preoccupied, primarily, grammatical problems of the profession. It is true, perhaps the film has a kind of enthusiasm that I have not found then. I wanted to be a human story and I think it came out as such. and that is true not consider it a merit, but a prerequisite. I never wanted to do "red Apples" true or less true. I did as I felt. "Alexander Tatos</p>...
快乐的波波
语言：意大利语
简介：A few years before he went on to make a big splash in the cannibal sub-genre, Ruggero Deodato directed this successful rip-off of Roman Polanski's brilliant Knife in the Water. Naturally, being an Italian film - there's more of a focus on sex than the relationship between the central couples, but the claustrophobic atmosphere and entertaining characters help to keep the tension... </span> <a href="javascript:void(0)" class="j a_show_full">(展开全部)</a> </span> <span class="all hidden"> A few years before he went on to make a big splash in the cannibal sub-genre, Ruggero Deodato directed this successful rip-off of Roman Polanski's brilliant Knife in the Water. Naturally, being an Italian film - there's more of a focus on sex than the relationship between the central couples, but the claustrophobic atmosphere and entertaining characters help to keep the tension bubbling over, which ensures that the movie is interesting for the duration. The film doesn't have nearly as much 'bite' as Cannibal Holocaust and most of the rest of Ruggero Deodato's filmography, but it's obvious that even with this early film; Deodato is a director with the potential to make a mark on cinema. The plot is simple in that it just focuses on two couples. George and Silvia invite Irem and Barbara for a weekend cruise on their yacht. It soon transpires that George isn't the most sensitive man to ever live, and Silvia doesn't seem to mind him treating her badly. The situation escalates, and Irem and Barbara join forces with Silvia for vengeance against George...and three way sex, of course....
我们同在
导演： 约翰·克劳利
语言：英语
主演： 安德鲁·加菲尔德弗洛伦丝·皮尤亚当·詹姆斯伊芙·海因德玛拉马·科利特格蕾丝·莫洛尼吉安尼·卡尔切蒂希瑟·克兰妮尼基尔·帕尔玛LauraGuestKevinBrewerGabrielRobinsonDanielBowerbankRoeHavenMeganHalyEmilijaSenavaityteRobertEamesLeeBraithwaiteKaraLynchKarenSmyth
简介：阿尔穆特（弗洛伦斯·普）和托比亚斯（安德鲁·加菲尔德）在一次意外邂逅中走到一起，改变了他们的生活。 在影片导演约翰·克劳利这部跨越十年、感人至深的浪漫爱情片中，当他们踏上一条受时间限制挑战的道路时，他们学会了珍惜他们爱情故事所走过的非常规路线上的每一刻。...
为了国家
导演： 阿奇德·哈米
语言：法语 / 阿拉伯语
主演： 卡里姆·莱克路沙伊恩·布迈丁卢巴纳·阿兹巴尔萨米尔·盖丝米宋芸桦罗兰·拉斐特艾丽叶·阿吉斯AliciaHava苏莱曼·达兹SouhadeTemimiLyamTouhamiNahylThéodose洛朗特·卡普洛托MahmoudSaidAnthonyPaliotti约安·列维莱耶·塞伦AlexandrePatlajeanBaptisteMègeMassimoRiggi
简介：年轻有为的军官埃沙，因参加迎新活动遭到军校学长霸凌而丧命。他的哥哥与母亲想帮弟弟讨回公道，在一边守丧，一边为弟弟捍卫荣耀的日子里，哥哥忆起儿时与父亲爱恨难解的关系、来到法国后日渐疏离的兄弟亲情，和那段最难忘的到台北探望在台大留学的弟弟，并意外在异地重拾往日情谊的短暂日子。...
诱饵
导演： 马克·詹金
语言：英语
主演： 西蒙·谢泼德特里斯坦·斯特罗克MaryWoodvine艾萨克·伍德文爱德华·罗
简介：<p>康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式，但如今富有的伦敦游客纷纷下山，取代了当地人，当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫，因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅，现在看来，最后一场战斗是和新主人在海边的停车位上展开。然而，情况很快就失控了，而不仅仅是因为车轮夹钳。Bait是一种黑白，手工制作，16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而，最重要的是，在影像中不同层次的电影历史参考文献之下，当前许多政治关联正在等待被发现。The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.</p>...