搜索结果：Hero （共 1001 条结果）
机动战士高达00
导演： 水岛精二
语言：日语
主演： 宫野真守三木真一郎吉野裕行神谷浩史小笠原亚里沙佐藤有世高垣彩阳松本保典
简介：公元2307年，地球的化石燃料枯竭了。经过将近半个世纪的建设后，建成了全长5万千米、以3条轨道升降机为中心的太阳能发电系统。为了建造出这个能制造半永久能量的巨大建筑物，世界形成了3个巨大的国家联盟：以美国为中心的“世界经济联盟”，通称UNION；以中国、俄罗斯、印度为中心的“人类革新联盟”；新欧洲共同体AEU。由于轨道升降机过于巨大，防卫变成了十分困难的任务。但各国军队依然为了自己的威信与繁荣进行着大规模的zero-sum game（任何一方都得不到好处的竞争）。这样的世界，要为其花上句号的组织出现了——拥有机动战士高达的“天人”私人武装组织。他们为了消除世界的纷争，展开了超越民族、国家、宗教的作战行动。高达驾驶员刹那•F•清英决心改变这个世界。...
关八战队2
导演： 堤幸彦
语言：日语
简介：经过连番苦战，横峰诚（横山裕 饰）、涩泽薰（涉谷昴 饰）、村冈雄贵（村上信五 饰）、丸之内正悟（丸山隆平 饰）、安原俊（安田章大 饰）、锦野彻朗（锦户亮 饰）以及大川良介（大仓忠义 饰）等七位青年组成的关八战队终于打败了总统（东山纪之 饰）所率领的暗黑十字军，将久违的和平带回八万市。在此之后，关八战队被奉为救世主，市政府向他们下拨巨款，在纸醉金迷的逍遥岁月中，曾经的超级战士日渐沉沦。与此同时，大鹤市长（赤井英和 饰）则以关八为代言人，积极推行所谓打造零犯罪城市的Zero Project。周刊记者西乡（前田敦子 饰）察觉近年来八万市失踪人口不断增加，她怀疑这一切都与关八战队有关，于是隐姓埋名展开调查。另一方面，红战士与伙伴们渐行渐远，竟然最后站在了恐怖势力的阵容之中……©豆瓣...
关于她的五段情事
语言：西班牙语
简介：Five Hot Stories for Her五个热门故事:收录了5个短电影:专门为女xing和伴侣。Erika提出了五种现代城市,辛辣和色情故事具有自然、真实xing。 在M的一名足球运动员的妻子阴谋背叛自己的一个精巧的和制造xing的报复。 一些关于NADIA隔行三名妇女的故事体现祂们无法操纵的愿望奇异而迷人的纳迪亚。 结婚生子介绍弗兰克和丽塔已结婚八年来,有两个年幼的孩子,并通过所有账户都厌倦了祂们的婚姻,厌倦了对方。但祂们是什么隐秘隐藏吗? 在分手xing两个侽同xing恋者在最后一次见面的xing接触 一个高xing能的exec花许多时间考虑xing却取决于她的欲望,从不需要主动 hellip;直到现在。 五对都市人的xing欲现实电影，有未婚情侣。夫妻。同xing恋.青年中年...
彩虹照耀
导演： 维克·萨林
语言：英语
简介：<p>Tomas, a frail, shy eight-year-old boy, has been living a solitary life in a drab orphanage sad, friendless and alone. Then a joyous burst of colour comes into his world: Maire O'Donnell, whose smile and spirit light up the darkest room and Tomas's heart. Before he knows it, Tomas is on a boat, sailing to wind-swept Corrie Island off the coast of Ireland, where he meets Alec, her reticent husband who cannot hide his disappointment with the boy.Undiscouraged, Maire introduces Tomas the wonders of his new world. She shares with him the secret of the seals, the mystery of the stone giant and shows him that you can find magic anywhere- if you really look. In this rugged and enchanting world, Tomas thrives. He befriends a pair of island children and rescues an orphan seal pup who join him on his journey of self-discovery. Slowly, Alec too begins to see in Tomas what Maire always has.But when tragedy strikes, Tomas is faced with his greatest challenge yet, for he will lose everything unless he can find and share the magic that's inside him. Risking all, Tomas embarks on a perilous journey where he will need to call on all of Maire's gifts to triumph and come home.A Shine of Rainbows is a story about the transformational power of love- about finding acceptance, discovering magic, and about realizing that rainbows are all around you and within you, too.</p>...
快乐的波波
语言：意大利语
简介：A few years before he went on to make a big splash in the cannibal sub-genre, Ruggero Deodato directed this successful rip-off of Roman Polanski's brilliant Knife in the Water. Naturally, being an Italian film - there's more of a focus on sex than the relationship between the central couples, but the claustrophobic atmosphere and entertaining characters help to keep the tension... </span> <a href="javascript:void(0)" class="j a_show_full">(展开全部)</a> </span> <span class="all hidden"> A few years before he went on to make a big splash in the cannibal sub-genre, Ruggero Deodato directed this successful rip-off of Roman Polanski's brilliant Knife in the Water. Naturally, being an Italian film - there's more of a focus on sex than the relationship between the central couples, but the claustrophobic atmosphere and entertaining characters help to keep the tension bubbling over, which ensures that the movie is interesting for the duration. The film doesn't have nearly as much 'bite' as Cannibal Holocaust and most of the rest of Ruggero Deodato's filmography, but it's obvious that even with this early film; Deodato is a director with the potential to make a mark on cinema. The plot is simple in that it just focuses on two couples. George and Silvia invite Irem and Barbara for a weekend cruise on their yacht. It soon transpires that George isn't the most sensitive man to ever live, and Silvia doesn't seem to mind him treating her badly. The situation escalates, and Irem and Barbara join forces with Silvia for vengeance against George...and three way sex, of course....
老爷车
导演： 克林特·伊斯特伍德
语言：英语 / 苗语
主演： 克林特·伊斯特伍德克里斯托弗·卡利比·王安蕾·荷布莱恩·黑利杰拉尔丁·休斯德瑞玛·沃克布莱恩·豪威约翰·卡洛·林奇斯科特·伊斯特伍德
简介： 曾参加过朝鲜战争的福特车厂退休老工人沃尔特•科瓦尔斯基（克林特•伊斯特伍德 Clint Eastwood 饰）在妻子去世后独自居住在密歇根州小城的低收入亚洲移民区。邻居是个苗族大家庭，其中一对兄妹引起了沃尔特的注意。姐姐苏（安蕾•荷 Ahney Her 饰）幽默善谈，逐步与固执又有点种族主义的老沃尔特成为了朋友；沉默寡言的弟弟涛（比•王 Bee Vang 饰）则被自己的远房表兄强迫加入当地的苗族黑帮，第一次行动就被指派去偷沃尔特视为珍宝的1972年福特老爷车。偷车不成，涛被家人强迫，给沃尔特打工赎罪，却没曾想与沃尔特建立了深厚的友谊。而当地的苗族帮派却不肯就此罢手，为了苏与涛的安全和社区的安宁，老战士沃尔特该如何行动呢？ 本片获金球奖最佳原创歌曲提名（《老爷车》）。...
巴黎夜旅人
导演： 米夏埃尔·艾斯
语言：法语
主演： 夏洛特·甘斯布基多·雷昂-里希特诺亚·阿比塔梅根·诺瑟姆提布尔·凡松艾曼纽·贝阿洛朗·波瓦特诺迪迪埃·桑德尔莉莉丝·格拉斯穆格卡利克特·布罗欣-杜塔兹欧菲莉亚·科尔布
简介：<p>里斯，1981 年。选举之夜刮起了变革之风，法国人兴高采烈地冲上街头。但伊丽莎白（夏洛特甘斯堡饰）难以分享乐观的总体情绪。她的婚姻即将结束，她现在必须养家糊口。她心烦意乱，她的父亲和十几岁的孩子担心她的眼泪根本不会干。但是，如果倾听她的情绪可以帮助她开始填补她未来的空白页呢？如果她心血来潮给她最喜欢的电台节目主持人写一封信怎么办？或者邀请一个无家可归的女孩到她家？如果她做出那种真正改变生活的手势会发生什么？</p><p>在这部美丽的 Amanda 的后续作品中，Mikhaël Hers 将他敏感的目光投向了 1980 年代以及一个家庭生活中看似平凡的时刻，这些时刻塑造了不可磨灭的记忆。大量角色填充了这个自我发明的怀旧传奇。导演以一种在电影景观中脱颖而出的方式来尊重他们的脆弱和善良，这种方式更容易被幻想破灭的反英雄所吸引。这是电影最深刻的亲密和迷人，当我们反思我们作为一个社会的运作方式时，它让我们了解为什么爱很重要。</p><p><br/></p>...
花与蛇：零
导演： 桥本一
语言：日语
主演： 天乃舞衣子滨田のり子桜木梨奈川野直辉木村祐一榊英雄菅原大吉津田宽治辻本祐树
简介：团鬼六的肉欲小说人气系列的最新作「花と蛇 ZERO」终于被电影化了，本作的导演是在「探偵はBARにいる」（泡吧侦探）系列中出名的桥本一先生。本作是由东映映像提供，杉本彩主演。这次系列第四部的企划概念是原点回归。所有的演员都是通过遴选，选出在过激的SM场面时能展现出精湛演技的女演员。至今为止的「花と蛇」系列，故事都是围绕着主人公静子展开的。而本作启用了三位女主演，描绘出三人三种不同的肉欲世界。在遴选中获胜的是天乃舞衣子、浜田范子、桜木梨奈这3人。捆绑调教，三人同时紧缚吊打，同性恋SM，极限的色情描写就是本作最大的看点。天乃扮演的是，在追踪谜样的违法映像网站「バビロン」（巴比伦）主谋者的过程中，陷入调教陷阱中的警视厅生活安全部门特搜队的警部候补雨宮美咲。本作是她首脱，也勇敢的挑战过激画面，开拓了新的境地。当问到说拍摄时候有惹怒桥本导演的时候，「训了我以后他还是会开着玩笑，拍摄时也不会将不快带入，在最好的环境中拍摄，我觉得这真的是非常好的经验」她如此回答。过去由桥幸夫是编制的「セイントフォー」中的成员滨田，作为花与蛇系列的重要演员扮演了静子。她在「巴比伦」被监禁、调教，并且画面被上传到网络上。她说这是紧缚这种设定最初的经验，「利用疼痛，让她们流出并非演技的眼泪。但是，这个计划不得不被取消之后，导演的编导过程每天都受到冲击」。由樱木饰演的是静子粉丝，性欲无法被满足的主妇琉璃，留下了这样的记录「我完全信任桥本导演和工作人员，将心和身体都放开，非常愉快的拍摄」<br />...
镜子的另一面：纽波特民歌艺术节1963~1965
语言：英语
主演： BobDylanJoanBaezJudyCollins
简介："Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s....