搜索结果：Minton （共 573 条结果）
遗愿清单
导演： 罗伯·莱纳
语言：英语
主演： 杰克·尼科尔森摩根·弗里曼西恩·海耶斯贝弗利·陶德罗伯·莫洛阿方索·弗里曼罗文娜·金韦尔达·布里奇斯伊恩·安东尼·代尔詹妮弗·迪弗朗西斯科安吉拉·加德纳诺尔·古格雷米乔纳森·赫尔南德斯休·B·赫鲁伯理查德·麦克格纳格尔丸山凯伦安波米德尼基·诺瓦克克里斯托弗·斯塔普勒顿泰勒.安.汤普森亚历克斯·崔贝克AnntonBerryJr.DestinyBrownridgeBrianCopeland乔丹·朗德JonathanMangumSerenaReed
简介：<p>老富翁爱德华•科尔（杰克•尼克尔森 Jack Nicholson 饰）近年来在公立医院的私有化改造事业中获利颇丰，他为节省成本，规定病房“一房两床”的做法颇受非议，但性格强势的科尔不以为意，岂料他不久被检查出罹患癌症，本欲入住单人病房的科尔在舆论压力下只得与另一位病人——老卡特（摩根•弗里曼 Morgan Freeman 饰）同处一室。汽车修理技师老卡特博闻强识，将三个子女培养成才，但代价是牺牲了年轻时要做历史教授的梦想。曾经结婚多次如今却孤身一人的科尔逐渐对卡特产生了兴趣，两位老人在病房中结下了友谊。科尔偶然发现了卡特的“遗愿清单”，他决定运用自己的力量，让那些纸面上的疯狂构想一一实现，去发现人生的真正意义……©豆瓣</p>...
黄蜂 第一季
导演： 卡瑞恩·库萨马
语言：英语
主演： 梅兰妮·林斯基托妮·赛普里斯艾拉·珀内尔苏菲·奈丽丝贾思敏·萨沃伊·布朗索菲·撒切尔赛米·汉拉缇斯蒂文·克鲁格沃伦·科尔克里斯蒂娜·里奇朱丽叶特·刘易斯考特尼·伊顿丽芙·休森简·威德普凯雅·金凯文·阿尔维斯彼得·加迪尔特雷克哈·莎尔玛鲁奇娅·伯纳德阿莱克斯·温德汉姆莎拉·德贾斯丁杰克·迪普卡洛斯·山斯科琳·惠勒托尼娅·科妮斯加布里埃尔·罗斯凯文·麦克纳尔蒂BJ·哈里森保罗·皮斯科斯基拉腊·萨迪克GigMorton德里克·汉密尔顿查理·赖特
简介：这个项目融合了求生题材、恐怖故事以及成长故事等多种元素。故事的主角是一群才华横溢的高中女生足球队运动员。一场飞机失事之后，这群有着天赋的女孩子们成为了幸存者，试图在安大略省的山区里寻找新生。这是一个关于整个群体集体求生的故事，也将会观察她们在事故25年之后试图重新团结起来的生活。原来过去的事情并不会那样被轻易抹掉，而曾在山区里发生的事也远远没有结束。...
镜子的另一面：纽波特民歌艺术节1963~1965
语言：英语
主演： BobDylanJoanBaezJudyCollins
简介："Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s....