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汉阳妓房春香传
语言：春香传的阳光房 /
主演： NaYoung(나영)JiOh(지오)JooRi(주리)
简介：The chasity of the most beautiful women of the Joseon has fallen! Maewol-dang is a gisaeng house located on the outskirts of Hanyang in the early Joseon times. With madame Wol-gi in the lead, there are Nok-su, Chunhyang, Sim-cheong and other beautiful gisaeng's living there. One day a party happens in the gisaeng house and the reason is Wol-hyang's long time lover and Lord Park Pan-seo has come back to Hanyang for the first time in 8 years. Nok-su has always been jealous of the Madame position so she schemes to seduce Lord Park and take over authority. One rainy night, a woman in a Kimono bangs the door of the Maewol-dang. Servant Kong-ji opens the door and this Japanese geisha named Namikko asks to meet Wol-hyang. Meanwhile, the next morning, a male servant named Dol-se is found dead, stabbed by a hairpin that Chunhyang lost and hell breaks loose in Maewol-dang. Wol-hyang's close nephew Lord Lee Joon-ki comes to Maewol-dang to rest his weak body. He attracts the attention of all the gisaengs in the house for his boyish looks and the gisaeng's dream of romance with this pretty Lord. Who is this Lord with a hint of sexiness? The gisaengs try their best to look their best for this Lord......
今晚带我回家
导演： 迈克尔·道斯
语言：英语
主演： 托弗·戈瑞斯安娜·法瑞丝丹·福勒泰莉莎·帕尔墨克里斯·帕拉特迈克尔·比恩JeanieHackett露茜·彭奇米歇尔·崔切伯格迪米特利·马丁迈克尔·伊恩·布莱克鲍勃·奥登科克安吉·艾佛哈特杰·贾巴隆斯基艾德文·霍德吉
简介：马特·富兰克林（托弗·戈瑞斯 Topher Grace 饰）刚刚从麻省理工学院毕业，然而他却似乎并不想遵从父愿进入金融界，而是选择了在一家音像店里打工，同时思索着自己究竟想要做什么。直到一天，马特高中时代暗恋的女生拖丽（泰莉莎·帕尔墨 Teresa Palmer 饰）偶然走进他的音像店，并邀请他参加一个劳动节聚会，聚会恰巧是由马特的妹妹温迪（安娜·法瑞丝 Anna Faris 饰）和她男友举办的。聚会上，马特发现原来温迪并非那么喜欢男友，昔日朋友也都各自面临人生的危机。这些怀揣烦恼的少年们不约而同地决意在今夜抛开顾虑放肆欢愉，然而今夜之后，几个年轻人的命运竟也开始交缠在一起……©豆瓣...
镜子的另一面：纽波特民歌艺术节1963~1965
语言：英语
主演： BobDylanJoanBaezJudyCollins
简介："Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s....