搜索结果：Oro （共 176 条结果）

卡彭

导演： 乔什·特兰克

语言：英语 / 意大利语

主演： 汤姆·哈迪琳达·卡德里尼马特·狄龙凯尔·麦克拉克伦杰克·劳登诺尔·费舍吉诺·卡法雷利阿尔·萨皮恩扎凯瑟琳·纳杜奇埃德加·阿雷拉韦恩·佩雷梅森·古乔内佩蒂·布林德利大卫·瓦克斯乔恩·亚瑟朱莉娅·霍特Sue-LynnAnsariTildaDelToroJhemmaZieglerRebeccaChulew

简介：<p>聚焦美国“暴徒时代”黑手党头目艾尔·卡彭。故事从这位经历了十多年牢狱生涯、已经47岁的黑手党教父讲起，此时的艾尔·卡彭饱受老年痴呆症困扰。</p>...

逐梦奇迹

导演： LoganMillerNoahMiller

语言：英语

主演： EdHarrisBradDourif

简介：<p>　　Logan和Noah这对双胞胎兄弟的父亲在狱中去世，两兄弟以这部自传性҉电影来纪念死去的爸爸，但两人没钱也没人脉，只好来到旧金山「堵」到艾德哈里斯，并费尽唇舌找到得奖连连的工作团队，剧本改编自兄弟的自传著作《Either You&#39;re In or You&#39;re in the Way》，除了艾德哈里斯以外，还有劳勃佛斯特、布莱德杜瑞夫、李梅薇德等人也参与演出这部关于家人之间的亲情联系与救赎的电影，Logan和Noah兄弟不仅导演更亲自演出两人现实生活中的经历。 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;　　剧情描述一名拥有酗酒毛病的父亲，因总是烂醉误事，被世人放弃而失去尊严，而他的双胞胎儿子们，看到父亲被酒精一点一滴的吞噬灵魂，即使一再被父亲拖累，也永不放弃帮助父亲重新站起。不仅剧情感人至极，戏外导演们的为梦想努力的精神及传奇际遇更是令人敬佩，他们最后刷爆十九张信用卡，才完成这部梦想之作。</p>...

棒球之爱

导演： 山姆·雷米

语言：英语

主演： 凯文·科斯特纳凯利·普雷斯顿约翰·C·赖利吉娜·马隆布莱恩·考克斯J·K·西蒙斯VinScullySteveLyons卡迈因·吉欧凡纳佐休·罗斯多米尼克·隆巴多兹拉里·约书亚JoseMotaDaveEiland乔·利西JimColbornLuisMoro迈克尔·帕帕约翰ScottPoseRickyLedeeJuanNievesAugieGarridoRickReed瑞奇·加西亚JerryCrawfordBobSheppardEd

简介：在底特律老虎队服役19年的灵魂人物比利契波（凯文科斯纳饰演）面临生命的低谷：这个赛季球队表现不佳，自己的旧伤复发，老东家将出售球队，新东家一接手就将把他转会，他的女朋友珍欧柏瑞（凯莉普瑞斯顿饰演）要远赴英国。在充满敌意的客场上，他孤零零地站在投手板上，奋力的投出每一球，并且重新审视自己的一生。...

灰空的性

导演： 渡边世纪

语言：日语

主演： Miko须加尾由二佐仓美代子

简介：　　【キャスト&amp;スタッフ】 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;　　miko/須加尾由二/ 佐倉美代子/たんぽぽおさむ/森章二/先崎洋二/山田ひとみ/松井宗但 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;　　監督・脚本:渡辺世紀 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;　　【ストーリー】 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;　　モダニズムが始まる大正時代。おてんば娘の立花響子は18才にもなって木登りを止めず、何にでも好奇心旺盛で父親の修造やお抱え車夫の六助はいつも気を揉んでいた。立花家には響子も入ったことがない、開かずの間があった。響子はある日の夜、偶然にも開かずの間の扉が開いていたので、部屋からキノコに似た棒状のモノを持ち出した。それを見つけた修造は激怒する。その後、立花家使用人の静江が修造と合言葉を交わしているのを疑問に思った響子は、その意味を静江に尋ねる。すると今晩遅くに開かずの間に来れば言葉の意味が分かるという。そして、響子が目撃したのは修造が天狗の仮面を着けて、静江の股間に顔を埋めている姿だった―。 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;　　内容（「Or...</p>...

侠探杰克 第一季

导演： 托马斯·文森特尼克·桑多拉迈克尔·巴塞特克里斯汀·摩尔奥马尔·马德哈山姆·希尔林·奥汀史蒂芬·瑟吉克

语言：英语

主演： 阿兰·里奇森马尔科姆·古德温薇拉·菲茨杰拉德克莉斯汀·克鲁克布鲁斯·麦克吉尔克里斯·韦伯斯特哈维·吉兰马克斯威尔·詹金斯库里·格拉汉姆马克·本达维德威利·C·卡彭特乔纳森考斯庚LeslieFrayGavinWhite马修·马斯登拉娜·珍·科洛斯特奇阿莉·约翰逊迪伦·特罗布里奇休·汤普森玛丽亚·斯坦伊里·哈姆克里斯托弗·拉塞尔亚历桑德拉·卡斯蒂略布雷丹·贝塞尔JackieRichardson罗恩·米德LaurieMurdochTraceyRoo

简介：Jack Reacher在小说中曾经是美国陆军的军警，离开美军后他以调查员身份接手调查一些可疑或有危险性的案件。...

镜子的另一面：纽波特民歌艺术节1963~1965

导演： MurrayLerner

语言：英语

主演： BobDylanJoanBaezJudyCollins

简介："Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s....