搜索结果：Rianto （共 464 条结果）
残骸
导演： 布拉德·安德森PadraicMcKinleyRebeccaRodriguez史蒂文·A·阿德尔森卡伦·卡薇欧拉蒂姆·索瑟姆
语言：英语
主演： 乔纳森·塔克詹妮弗·科平朱莉娅·本森诺尔贝特·里奥·布茨迪米特里·柴波维特斯基李利强莎拉·德贾斯丁塔兰·凯勒姆AmandaMarier阿莉莎·牛顿安德里亚·斯特凡西科瓦AmandaMonaWeise琼·B·王尔德珍妮·克鲁蒂尔马修·麦考尔托马斯·尼科尔森斯克鲁比乌斯·皮普RiannSteeleThomasCadrotAlanChamoutAmroMajzoubJasonBellDylanColtonJarenMoore
简介：乔纳森·塔克将领衔主演NBC科幻新剧《秽土》(Debris，暂译)导航集。该剧由[墨西哥人]编剧J.H·惠曼执笔剧本，风格类似于《X档案》与[黑衣人]，讲述来自美国中情局的布莱恩·贝内文(塔克饰)和来自英国军情六处的菲诺拉·琼斯，必须共同调查被摧毁的外星飞船残骸对人类产生的神秘影响。...
公主新娘
导演： 罗伯·莱纳
语言：英语
主演： 加利·艾尔维斯罗宾·怀特曼迪·帕廷金比利·克里斯托华莱士·肖恩克里斯·萨兰登
简介：<p><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);">故事从慈祥的爷爷给生病的孙子讲故事说起，爷爷带来一本厚厚的童话故事书《公主新娘》。这个世代相传的童话故事讲述了一段爱与冒险的真爱故事。善良美丽的少女布卡特（罗宾·怀特 Robin Wright 饰）住在宁静的小村庄弗洛林，她与少年维斯特雷（加利·艾尔维斯 Cary Elwes 饰）青梅竹马两小无猜，两人很快陷入热恋。然而贫穷的维斯特雷希望给布卡特更好的生活，于是扬帆远航离开了村庄。但是维斯特雷的船并没有到达目的地，传言说他死在了海盗的手里。五年后，伤心欲绝的布卡特成为了王子胡姆普丁克（克里斯·萨兰登 Chris Sarandon饰）的未婚妻，可她并不爱他，她的心里仍苦苦思念着真爱维斯特雷。一次意外让布卡特再次遇见了维斯特雷，然而邪恶的王子却绑架了布卡特，并逼迫她嫁给自己。此时的维斯特雷已是一位勇敢强壮的海盗，为救真爱，他与武艺超群的剑客埃尼戈·蒙托亚（曼迪·帕廷金 Mandy Patinkin饰）、力大无比的巨人菲兹克（安德烈·捷安特 André the Giant饰）一起踏上了拯救公主之路。</span><br/><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);"> 本部童话式爱情冒险电影《公主新娘》，荣获1988年第60届奥斯卡金像奖最佳原创歌曲提名，1987年第12届多伦多国际电影节人民选择奖-最佳故事片奖以及1988年第15届美国电影电视土星奖最佳奇幻电影。</span></p>...
乐队的夏天 第一季
语言：汉语普通话
主演： 马东吴青峰张亚东高晓松乔杉欧阳娜娜大张伟老狼白岩松李宇春朴树谭维维赵子健石璐何一帆高虎宋捷张静迟功伟孔阳黄子君韦伟徐彪彭磊庞宽赵梦Hayato刘葆尚笑刘经纬吴金迪刘忠陈亚光欧洋李鹏田健华叶景滢李红旗蒋晗张浩亮姚浚民古欣玉推机杜秉鸿Ringo卡菈阿怪黑轮张哲轩熊花小羊阿龙阿麦万里帆帆斯斯玛斯卡
简介：由爱奇艺出品、米未制作的2019重磅原创音乐综艺节目《乐队的夏天》，集结了反光镜、痛仰、新裤子、旅行团、鹿先森等31支最具代表性、最具影响力的中国青年乐队，他们将通过不同主题单元的内容设计及音乐表演，展现乐队原创音乐魅力与创造力，以此争夺年度最受大众喜爱的HOT5乐队席位。在最强音乐伙伴：摩登天空、太合音乐集团、草台回声，以及最大音乐交流平台街声的鼎力支持下，《乐队的夏天》将打造这个夏天最引人瞩目的音乐盛事。...
镜子的另一面：纽波特民歌艺术节1963~1965
语言：英语
主演： BobDylanJoanBaezJudyCollins
简介："Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s....