搜索结果：Rona-Lee （共 1076 条结果）
女人如此膘悍
导演： 罗斯·梅尔
语言：英语 / 德语 /
主演： ShariEubankCharlesNapierUschiDigard
简介：Clint Ramsey has to leave his job working at Martin Bormann's gas station and flee after his wife is murdered by psycho cop Harry Sledge, who tries to pin the murder on Clint. Crossing America, Clint gets sexually harassed on all sides by various voluptuous nymphomaniacs, and it all ends in a literally explosive climax....
劣迹斑斑
导演： 杰夫·特里梅因
语言：英语
主演： 机关枪凯利艾琳·欧贝道格拉斯·布斯艾伦·杰伊·罗姆丹尼尔·韦伯艾丽莎·玛丽·史迪威布兰妮·弗兰伊万·瑞恩凯瑟琳·莫里斯文斯·马蒂斯阿维斯·玛丽·巴尼斯乔·克里斯特考特尼·迪茨小彼得·詹梅斯皮特·戴维森西尔维娅·格雷丝·克里姆克里斯蒂安·格林大卫·科斯塔贝尔托尼·卡瓦勒罗莱文·兰宾乔丹·林恩·皮尔斯约书亚·米克尔布莱恩·克恩马丁·巴特斯·布拉德福德萨米·哈加尔汤米·李米克·马尔斯万斯·尼尔尼基·锡克斯爱德华·范海伦
简介：<p><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);">说唱歌手Machine Gun Kelly加盟莫特利·克鲁乐队传记片《尘土》(The Dirt)，饰演创立者之一Tommy Lee，道格拉斯·布斯将饰演另一位创立者Nikki Sixx。</span><br/><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);"> 《蠢蛋搞怪秀》导演Jeff Tremaine执导，Rich Wilkes(《极限特工》)、Tom Kapinos(《路西法》)和Amanda Adelson编剧写本，Netflix制作和发行。</span><br/><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);"> 影片基于自传《The Dirt: Confessions of the World’s Most Notorious Rock Band》，聚焦该重金属乐队在80年代的崛起。</span><br/><span style="color: rgb(17, 17, 17); font-family: Helvetica, Arial, sans-serif; font-size: 13px; background-color: rgb(255, 255, 255);"> 莫特利·克鲁乐队1981年1月成立于洛杉矶，组员包括贝斯手Nikki Sixx、鼓手Tommy Lee、主唱Vince Neil和吉他手Mick Mars。同年11月发行了首张专辑《Too Fast for Love》，供不应求，加印后再次售罄，广获好评。该乐队于2015年12月31日举行了谢幕演出，唱片在全球畅销超过1亿张，其中美国占2500万张。</span></p>...
闭上我的眼睛
语言：英语
主演： AlanRickmanSaskiaReevesCliveOwen
简介：After some years of tension, Richard (Clive Owen) begins a sexual relationship with his sister Natalie (Saskia Reeves). Now married, the relationship proves dangerously obsessional. Their private intensity (& working class origins) contrast with the middle-class, inhibited, stuffy public scenes we see in the Richmond world into which Natalie has moved with her marriage. As the ......
遇见贵人
导演： 夏友庆
语言：汉语普通话
简介： The plot revolves around the lives of four ex-convicts trying to turn over a new leaf. Ah Hu (Lian), Mad Dog (Lei), Jian Ren (Lim) and Sha Bao (Chin) start a food and beverage business, but their past catches up with them as Ah Hu's teenage son, played by Shawn Ho, gets into trouble for selling drugs....
剩女约瑟芬2
导演： 玛丽露·贝里
语言：法语
主演： 梅迪·内博梅迪·内博MehdiNebbouMediSadoun
简介：Depuis deux ans, Gilles (homme-parfait-non-fumeur-bon-cuisinier-qui aime-les-chats) et Joséphine (fille-attachiante-bordélique-mais-sympathique) s’aiment. Tout est parfait. Jusqu'à une nouvelle inattendue : ils seront bientôt trois. Ne pas devenir comme sa mère, garder son mec et devenir une adulte responsable, tout un tas d'épreuves que Joséphine va devoir affronter, avec Gill......
肉欲咖啡馆
语言：英语
主演： AndyNicholsPaulMcGibboneyMichelleBauer
简介：In the future, humans are divided into Sex Negatives and Sex Positives. The negatives get sick if they have sex so they go to Cafe Flesh to see positives who are forced to perform on stage for the negatives. Lana is a positive who everyone thinks is a negative and she must decide whether to come clean or not....
镜子的另一面：纽波特民歌艺术节1963~1965
语言：英语
主演： BobDylanJoanBaezJudyCollins
简介："Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s....