搜索结果：Trieu （共 76 条结果）
无冕之王
导演： 亚历杭德罗·加林多
语言：西班牙语
主演： DavidCarlosRamiroAlberto费尔南多·索托Salvador
简介：Back in the mid 1900's Mexico was proud to have more world boxing champions in the small categories, than any other Country. Boxing was perhaps one of the few opportunities where a typical low income Mexican(75% of the population)could have success in life. Kids started boxing in their ghettos, a few of them made it to the Pro's and an even fewer amount got to be famous and earn good money from it. Those that got to the top soon found out that suddenly they had a great amount of people that surrounded them and helped them spend their money. But immersed in their new life styles they could never leave their origins and find a better future for them. This is what "Campeon sin Corona" tries to convey; a boxer that even when he has succeeded can not live up to his new status and prefers to be the same loser he was in his earlier years. There may not be in the Mexican Movies Industry a picture that better displays the way of thinking and acting of the vast majority of Mexicans of the 20th Century....
四五口径女郎
导演： 阿贝尔·费拉拉
语言：英语
主演： 乔·路德AlbertSinkysDarleneStuto
简介：Walking home from work one night, Thana, a mute seamstress in New York City's Garment District, is raped at gunpoint in an alley by a mysterious, masked attacker. She survives and makes her way back to her apartment, where she encounters a burglar and is raped a second time. Thana bludgeons this second assailant to death with an iron. She then keeps his .45 caliber M1911A1 pistol, dismembers the burglar's body, puts the pieces into plastic garbage bags and gradually disposes of them in various locations throughout the city. She begins to have frequent nightmares and hallucinations of the first assailant stalking her, and her mental stability begins to dim. Thana is noticed by a man while she is disposing of one of the bagged body parts; retrieving the bag, he chases and frightens her. Fearing another sexual assault, she fatally shoots him. This event furthers her impulse for vengeance. Gradually, Thana transforms her appearance to bee a more and more seductive bait, and sets out to kill any man who annoys her. Near the end of the film, she dons a nun's habit and red lipstick to attend a Halloween party with her boss and co-workers. Her boss tries to take advantage of her and is killed; Thana then begins a shooting spree and targets all the men present. Finally she is stabbed by a female colleague....
耶尔玛
语言：英语
主演： RebeccaGrantMiriamDíaz-ArocaMundyRieuJr.SusanBrickellFrancescPagèsMariaIvanovaChristinaK.PascualYvonneReyesJonAriasVictorRamirezTirmaAyerbePatFreemanFonsiLiébanaAlmudenaSalortSofíaSquittieriDoradeMiguelItoizVelascoRebe
简介： A young woman is driven to the unthinkable by her desperate desire to have a child in Simon Stone’s radical production of Lorca’s achingly powerful masterpiece....
植物学家的中国女孩
导演： 戴思杰
语言：汉语普通话
主演： 米兰妮·让帕诺米李小冉林栋甫王伟光杨军阮如琼方氏青朱雄NguyenVanQuangLinhThjBichThuThiXuanThucNguyenTuoJilinDinhXuangTungLeBaAnhVuongTrachVuDrieuVanChau
简介：故事发生在上世纪的80年代。著名的植物学家在一个岛上培育研究植物，他的性格严厉保守，与女儿陈安（李小冉 饰）相依为命。这天，混血女子李明（米兰妮•詹姆帕诺米 Mylène Jampanoï 饰）前来岛上实习，她父母在唐山地震中双双亡故。陈安于李明朝夕相处，二人暗结断背情愫，感情日渐深厚难分。...
镜子的另一面：纽波特民歌艺术节1963~1965
语言：英语
主演： BobDylanJoanBaezJudyCollins
简介："Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s....