搜索结果：Guétary （共 6 条结果）
4EVER
导演：
语言：西班牙语
主演： WendyRegaladoVirginiaAlvarezRichardCamachoErickBrianColónZabdielDeJesúsChristopherVélez
简介：Young musicians Andy, Ian, Ciro, and Darío meet by chance at a restaurant, where they get involved in an unexpected situation: A valuable guitar has just disappeared. To recover the guitar and return it to its owner, they must put together a band....
克洛德和葛丽泰
语言：法语 / 英语
主演： NicoleDebonneAstridFrankYvesVincent
简介："Because Paris is Paris," Swedish art history student Astrid Frank thumbs her way to the City of Lights with nothing more on her shoulders than a guitar case and a pair of blonde braids. When her friendliness is interpreted by a series of sexual predators as an open invitation to Swedish "free love," Greta retreats into a lesbian relationship with the affluent but lonely Nicole......
一个美国人在巴黎
导演： 文森特·明奈利
语言：英语 / 法语 /
主演： 吉恩·凯利莱斯莉·卡伦奥斯卡·黎凡特乔治斯·古特利尼娜·弗彻
简介：杰瑞•莫里恩（金•凯利 Gene Kelly 饰）是住在巴黎一位穷困潦倒的美国画家，通过朋友钢琴手亚当（奥斯卡•莱文特 Oscar Levant 饰），杰瑞结识了一位当红法国歌手亨利（乔治•盖塔瑞 George Guétary 饰）。不久杰瑞被一位富有的夫人麦络（妮娜•福煦 Nina Foch 饰）赏识并资助作画，但他却爱上了百货店的年轻售货员丽丝（莱斯利•卡伦 Leslie Caron 饰）。然而出乎意料的是，丽丝竟然是亨利的女友，不知情的亨利还劝杰瑞要勇于争取爱情。所有的矛盾在一次盛大的黑白舞会中聚集激化，杰瑞得知丽丝将要嫁给亨利的消息后最后一次幻想二人在浪漫巴黎歌舞翩翩。然而真挚的爱情就这样永远逝去么？本片获1951年奥斯卡最佳影片，最佳艺术效果，最佳摄影，最佳服装设计，最佳配乐，最佳剧本六项大奖。©豆瓣...
镜子的另一面：纽波特民歌艺术节1963~1965
语言：英语
主演： BobDylanJoanBaezJudyCollins
简介："Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s....